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Rockport Tecnologies Searching for the Extreme > Produkter og priser > Rockport Tecnologies Searching for the Extreme  |  Tip en ven
In high-end audio, there are at least two fundamentally different philosophies concerning loudspeaker cabinet design. One camp equates the loudspeaker with a musical instrument, believing that it should resonate in a manner similar to that of a violin or guitar. Speaker and electronics manufacturer Audio Note, for instance, is a proponent of this approach. Perusing their website, I found this, in reference to their AN-E loudspeaker: "The cabinet is designed in such a way that it augments and supports the drivers in their task, not unlike the box of a guitar."
The other camp regards anything not on the original recording -- i.e., sound produced, as opposed to reproduced, by the audio system -- as distortion. Ultimately, it's hard to argue with this approach. In fact, the term high fidelity, according to Merriam-Webster Collegiate Dictionary, 11th ed., means "the reproduction of an effect (as sound or an image) that is very faithful to the original". Fidelity, from the Latin fidelus, actually means, literally, faithful. In my estimation, that gets to the heart of the matter: Is a stereo system's goal simply to reproduce the input, or to also produce a sound of its own?

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